Sandwich makes
immersive brand films.
We’ve been putting people inside the product for seventeen years. Now there’s no screen in the way.
Here’s why it works: we’ve made films for the world’s best companies, and the whole time, without a name for it, we were working in layers. Digital things floating next to real people. Depth where a flat frame used to be. We were building the grammar of immersive before there was a headset worth putting it in. Now there are many. So the work we were already making got to become the thing it always was.
Sandwich Vision is open for business.
We’ve always done layers.
The Sandwich method was always a trick of layers. Take the thing that lives on a screen, lift its pieces into a filmed room that looks a little like your own, and let you fill in the rest. You projected yourself across the glass into a space that was standing in for yours. It connected what a product is with what your life could be, and it worked well enough that the whole industry started shooting the same way. But you were still on your side of the screen.
Immersive takes the boundary away.
Now that the frame has opened up in every direction, we already know how to compose for it. You’re standing where we’re standing, inside the frame with the thing, not watching someone else be there. That kind of intimacy with a product used to need a flagship store on the best corner in the city, one customer at a time. Now it scales. That’s the whole reason this studio exists, and it’s why it’s us building it.
It’s not about the gear. (But we do own the gear.)
Whether the story is told in 720 pixels or 16,000, the part that matters is the same part it’s always been.
The gear is table stakes. The story is the work.
And nobody hired us to figure it out.
The early immersive films were ours. We wrote the checks, made the mistakes, and learned the format on our own time so we wouldn’t have to learn it on yours. Call it R&D.
We don’t just make the films. We built the place they get watched.
Theater is the leading platform for immersive film. We built the distribution layer because someone had to set the bar for what this format is worth, and we’d rather it be us. It also means when we make something for you, we know exactly how it will feel to the person on the other end of it, because we own the room they’re sitting in.
Including private rooms, for work that isn’t public yet.
Come join us in the future.
Since 2009, Sandwich has made video for the companies building the future, back when most of them were still explaining what they were. A hundred million dollars of work for ~450 clients. Some of them are in your pocket right now.
The job is always the same: find the true story inside a product and tell it so an audience feels what a user feels. That doesn’t change when the frame wraps around your head. It gets more literal.
Sandwich Vision is led by Adam Lisagor and José Marquez, with the crew that’s been making the Sandwich work for years. Same people, same standards, more dimensions.
